The work goes beyond correcting the language. It involves ensuring the clarity, fluency and consistency of texts intended to be read by audiences with very different backgrounds.
The editing must also comply with highly detailed editorial and terminology guidelines, sometimes running to around forty pages. This is particularly important when exhibitions address sensitive, complex or historically challenging subjects, where terminology, contextualisation and consistency of presentation must be handled with particular precision.
The work has therefore included exhibition catalogues, interpretive material and other institutional texts, with particular attention to terminology, tone, readability in English and strict adherence to the editorial framework established by the institution.